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Accidental Days

by Chase Tremaine

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Jack E. Hearn
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Jack E. Hearn a truly enjoyable listen my friend...a little bit emo, a little bit alt rock, a little bit power pop...and a whole lot of plain old catchy tunes...and best of all these songs offer hope of the life to come...the life given for those who trust and believe on Jesus...no kidding man...
jukeboxjosh
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jukeboxjosh Accidental Days is incredibly catchy pop/rock that’s right down my alley sonically. I love the mixing in of acoustic tracks like “Settled in the Unsettled” and “Choose” among the nimble guitar work that Chase is known for. Great album! Favorite track: Middle of My Words.
prenilliford
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prenilliford This album rocks! Each song hits hard in its own way, from full on rock jams, to heart-felt ballads, to a mixture of both. The opening trio kicks the album off with a bang, followed by honest musings of love and relational challenges. The guest piano parts are amazing additions, the soundscapes are beautiful, the lyrics are relatable yet specific, and the album ends with a jam that I don’t want to end! Favorite track: Choose.
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1.
One Day 04:25
All this work for just one day Tomorrow should worry for itself But I’m worrying All these words but whose to say ‘Cause I’m not the type to ask for help So I’m hurrying All these needs, no time to pray For burdens I took upon myself And I’m carrying The week on my shoulders The month on my back The year by my ankles Convinced of my lack Sufficient for the day is its own trouble No kidding, man But what can I do by the work of my own hands My own hands? All these accidental days Spent trying to make sense of each plight Yet I’m bare again All striving to dig our graves Til that becomes where we spend the night Now I’m buried in All these debts to earn my stay Forgetting the load I’m offered is light Still I’m carrying The week on my shoulders The month on my back The year by my ankles Convinced of my lack Sufficient for the day is its own trouble No kidding, man But what can I do by the work of my own hands My own hands? Lay it all within the soil My unraveling Or give into the endless toil Anxious traveling To anywhere on earth But right here, right now Run away for life Or learn to turn and seek out One day, one day One day, one day No more carrying The week on my shoulders The month on my back The year by my ankles Convinced of my lack Sufficient for the day is its own trouble No kidding, man Sufficient for the day is its own trouble Sufficient for the day is its own trouble No kidding, man But what can I do by the work of my own hands My own hands?
2.
Distracted 03:39
The first day we met You knew you’d be too good for me But I wasn’t looking for a girl The next day you bet I’d begin thinking differently Still I wasn’t looking for a girl Then our eyes looked into each other’s Deeper than what can be seen And our voices matched as we’d talk And we’d laugh and we’d sing You’ve got me so distracted now Should our eager love be disavowed Before our three months run out? ‘Cause a man devout doesn’t need a summer love Our first week was spent Drunk on our crush, no consequence Acting like we couldn’t come undone Enter our descent Into a week of recompense For all of the good we’d left undone Forced to reckon with our commitments Weigh them against our romance Will my vision falter each time that I offer a glance Is this our only chance? You’ve got me so distracted now Should our eager love be disavowed Before our three months run out? ‘Cause a man devout doesn’t need a summer love God is breaking my heart before I can give it to you God keeps breaking my heart before I can give it to you But I don’t want to lose you before I can prove it was True what we had Real what we held All the ways we felt alive Wishing to look in your eyes one last time With no risk of becoming blind, blind Blind to what God’s doing You’ve got me so distracted now Should our eager love be disavowed Before our three months run out? ‘Cause a man devout doesn’t need a summer love You’ve got me so distracted now We came here to plant the seeds and plow For this short slice of our lives And a man of Christ doesn’t need The love of anyone but Christ He just wants someone to share it with
3.
I’m on the tired side of content Exhaustion is my privilege What’s the point of getting to heaven Being well rested and well fed? No, I want to be spent ‘Cause everything we have is lent Oh, I want to be used To give honor to the accused Pass on the comfort I received in Christ To see my need for his sacrifice It’s my turn to give it to others As we become sisters and brothers I’m on the tired side of content Because I was taught the secret Of being in plenty or in need I can do all things through Christ in me And I want to see Christ formed in you He is the only person who Can take our evil and turn it for good And make you feel wholly understood Oh, I want to be spent ‘Cause everything we have is lent Oh, I want to be used To give honor to the accused Pass on the comfort I received in Christ To see my need for his sacrifice It’s my turn to give it to others As we become sisters and brothers True rest is not found in bed Or made up inside our head We find it in Jesus’ yoke When we let him bear our load He can spend us all he wants Though our bodies wear the cost Find joy in that crazy claim Lose our lives, we’ll call it gain This is where my soul finds rest On the tired side of content
4.
Heart Reset 03:42
I'd write you a love song to wrap up the day But unfinished verses would keep me awake Why can't my mind put you to rhyme? I'm finished ignoring the problems that stayed And not done exploring the prices we paid Where'd the time go, who knows, who knows? If we could go back to the start Is that where I'd find my heart If we could go back to the start What would I change on my part? I've every intention to find someone new But would I just use them to get over you? When a heart's set, takes a hard reset Pretending is easy when you're not around Yet when you are near me, so quickly I'm bound When a heart's set, takes a hard reset If we could go back to the start Is that where I'd find my heart If we could go back to the start What would I change on my part? Is it true, does it just take time Is it true, does it just take time Are you here too, does it just take time? If we could go back to the start Is that where I'd find my heart If we could go back to the start What would I change on my part All healing begins with a crawl Is it better that we're here after all?
5.
What do you see in the middle of my words? Can I speak a blessing, yet you hear a curse What do you see in the middle of my words? Wings for the fall, air for the birds What do you see in the middle of my words? What do you hear, babe? Please talk to me, please explain What you're hearing, babe I don't want ghosts or thoughts of ghosts to haunt us, babe Yet I ask what's the matter and you turn away It won't matter if it's weightless And I don't want to cause stress So I'll sit within this mess We can process In the space between my words, I have hurt you Yet I'd fill up the sky if just to love you better In the shadows that you heard, a phantom caught you So help me shine a light and face your fears together What do you see, babe? Please show your face, please explain What you're seeing, babe I want what I meant and what you heard to be the same And I'll repent if I hurt you along the way It ain't wrong if we're not thinking quite the same I swear I'm not accusing you of anything I'm just trying to get us on the same page When I ask how you're feeling, you can say In the space between my words, I have hurt you In the shadows of my soul, you saw a man who scared you I'll fill up the sky to let you know how much I care for you And I will shine a light, we can face our fears, both old and new I'll give you wings when you fall and a rose when you rise 'Cause we won't be perfect, but I know we can get it right What do you see in the middle of my words? Can I speak a blessing, yet you hear a curse What do you see in the middle of my words? Wings for the fall, air for the birds What do you see in the middle of my words?
6.
There's work to do and money to earn and people to see The balancing act is a twenty-four-hour forgery Seven days cannot contain just how weak I feel Sundays offer hope that every Monday aims to steal Fiction only makes it worse We live in dreams and feed the curse But when your dollar lets you down True riches can be found It takes different kinds of glories To tell our full stories The special and repetitive The debts we earn, rewards we give Don't die for your wages just to live There's work to do and joy to be shared and people to see The balancing act is a labor of love in delivery Necessary evils can be voluntary goods When we steal back our privilege from self-imposing "should"s Real life happens when we see Into our shared humanity And drop the dressed up masks we wear We don’t have to be scared It takes different kinds of glories To tell our full stories The special and repetitive The debts we earn, rewards we give Don't die for your wages just to live It takes different kinds of glories To tell our full stories The special and repetitive The joy we get, the love we give Don't die for your wages just to live It could all drive you insane Till you see it's gloriously mundane
7.
I wouldn't bet my savings on a roll of the dice I wouldn't build a house on top of a sheet of ice So why do I try to get settled in the unsettled? Every room, a shelf of books that I'll never read Every closet, lined with clothes I don't even need I'm just trying to get settled in the unsettled Why do I do it When I always knew it would fail me? I'm ready to propose before we go on a date I swear that I'll be fired after my first mistake Oh, why do I try to get settled in the unsettled? I dream up conversations that'll never take place Get lost reliving memories that I cannot erase Always trying to get settled in the unsettled Why do I do it When I always knew it would fail me? Why do I do it When I always knew it would fail me? I can't use science to pretend that all can be known Or heap up all my stuff, sit down, and call it a throne So why do I try to get settled in the unsettled? Why do we try to get settled in the unsettled?
8.
Choose 04:02
So self-assured, it’s not a fling Started saving for a ring I’m buying less and praying more Needs I haven’t known before God, if I give my plans to you Can I trust you’ll see me through? Surrender is a funny thing Nothing in my hands I bring What will I do if You take back your gift Given just to lose Do I have to choose? Ten or so months were all planned out Till you filled my heart with doubt Tip-toeing into every day Terrified what you might say I’m learning fast, tomorrow’s fake Lie down, don’t know if I’ll wake Surrender is a crazy thing Much I have to which I cling What will I do if You take back your gift Given just to lose Do I have to choose? Will I turn my ear If my greatest fear Becomes your command Will I fall or stand? What will I do if You take back your gift Given just to lose Do I have to choose? Lord, don’t take her please I’m down on my knees Give me confidence Is this providence? Do I love her so Much to let her go? Lord, I really hope I can have you both
9.
The numbers don’t lie Made sure my checklist was just right If there’s no match, then there’s no time Why bother to try? True love or new friends There’s no sense granting a difference I’ll want what the list recommends For my existence Then you came along, my opposite You came along, my opposite If I’m combative Please forgive a broken perspective To seek the safest way to live Not so creative Yet you came along, my opposite You came along, my opposite When the threats of war abound Let’s recall the peace we found When your counsel invokes my disdain Your kindness relieves all the pain Letting the list steer, I’d adhere But it has become clear What I called “safety” That was fear inside a mirror Then you came along, my opposite You came along, my opposite Finding strength when we collide Differences we must not hide If we dare to hold them in We’d drown in the shallow end If “to love” means “to agree" We’d all be on separate teams Be opposed or by my side Either way, we’ll have to fight So dear friend, do beware That I am gonna care For every thing you do And love you even when I don’t approve And I will throw away that checklist every day To throw away more time with you
10.
My body works pretty well But I see cracks within the shell Entropy is trapped in every cell The symptoms are awfully clear They scoff and taunt and interfere Acting young is growing insincere I don't think I'll really want my new creation body Till I put myself in a wheelchair I doubt I'll appreciate what Christ bought for me Before my mirror shows me gray hair I'm already past my prime I never learned to turn back time Is decay the sentence or the crime? So blind toward what I forsake I praise the highs, ignore the ache Pray life gives me more than death will take But take what - isn't life a gift? And a greater gift is yet to come I don't think I'll really want my new creation body Till I put myself in a wheelchair I doubt I'll appreciate what Christ bought for me Before my mirror shows me gray hair What if that day comes And we don't look 21 instead, we've all got silver and white Upon our heads? And those who died at a young age Will wear the badge of decades, And not a soul feels older ‘Cause futility is over I don't think I'll really want my new creation body Till I see what it took to get us there I doubt I'll appreciate what Christ bought for me Before I'm wearing, like a badge, my gray hair I'm wearing, like a crown, my gray hair

about

Hello friends, and welcome to Accidental Days. Thank you for being here and taking a chance on my music. If you're willing to journey with me through a bit of prose alongside listening to the tunes, then I'd love for you to continue reading this Bandcamp-exclusive essay that I've written to introduce the album - particularly in the context of this website and the option to download the album for free or pay-what-you-want.

To begin, I'd like to present a thought experiment:
Imagine a way of life where the art you enjoy and the manner by which you enjoy it is deeply personal and relational.
Instead of browsing through bestselling novels on your tablet, you take an evening to read through the manuscript that your co-worker just finished, or the essay that your spouse typed up over the weekend, or the latest chapter in the incredible fan-fiction that your cousin writes passionately but can never legally publish.
Instead of driving to the movie theater on a Friday night to see the latest big-studio blockbuster, you ride you bike to the community center to see a local theater troupe perform a play - better yet, perhaps it's an original play written by someone in town.
Instead of playing the radio in the confines of your house or car, you and your neighbors meet up on the back porch to play music on your acoustic guitars together, with no pressure to play songs everyone knows - maybe one neighbor shares snippets of an original song she's been working on, and later on, a friend attempts to improvise a new song on the spot.

Idyllic as these scenarios may be, I deeply long for a world where we reclaim art as a natural extension of our communities and friendships with one another, rather than always treating art as this distant thing that's primarily being made by special people and famous celebrities whom we'll never meet or get to know. I don't mean to discredit the quality of creations that have big names or big studios or big budgets behind them; to be sure, brilliant works of art can be found throughout Netflix and Amazon and Barnes & Noble and Spotify. In fact, the point that I'm making has very little to do with the discussion of "quality." My point is that we have, to a large extent, lost touch with the power of art to form and benefit our local communities.

Local art can foster friendship and growth in a way that's hard to compare with - oh, what should I call it? - global art. When I attend massive concerts for nationally touring artists, I don't often talk to the people in the seats around me; yet when I go see small bands playing at a church or coffeehouse down the street, it's hard not to meet people and exchange numbers or socials. When I go to the movie theater, no one sticks around afterwards to discuss the movie with strangers (in fact, the theater staff is expecting you to leave in order to prepare for the next showing); yet when I see musicals or improv shows at a school or performance center, people usually stick around to talk for hours. It's beautiful, and it points toward the culture-creating, character-forming power of art when the context of the art is personal and relational.

This new album is my little contribution toward creating a world like the one I've described above. Accidental Days is an album all about relationships: with ourselves and our friends, with spouses and exes, with jobs and to-do's, with our anxieties and exhaustion, and with God. These songs were written with and about and for the amazing people in my life, and I now offer them back to you as a free gift, as a deeply indebted "thank you" for all the ways that you've influenced me and inspired me, for all the roles you've played in my life, both big and small.

Thirty-eight minutes of music might not be much - especially in a climate where music is often treated as content to be used for the backgrounds of parties and the ambience of grocery stores and the emotional efficacy of advertisements - but it is my great desire that these songs will serve you beyond offering mere entertainment. I pray that these songs will be a balm for the aching heart, a tight hug for those struggling to process heartbreaks, an encouragement for those buried under anxiety and responsibility, and a fresh dose of hope for dealing with hard relationships and harsh realities.

I know the truth: you don't need more music. None of us do. The industry has been supersaturated for years. If no one releases new music ever again, there would already exist more than enough music for you to spend the rest of your life constantly hearing new songs. Every time I release new music, I face the dread of the void: the unavoidable disappointment of sharing works of art that have been deeply meaningful to me (not to mention costly, time-consuming, and energy-depleting), knowing all the while that it will get buried beneath millions of other, more prominent songs.

I can attempt to brag or garner empathy for all the sweat and tears that I've put toward creating this album, yet in the grand scheme of things, those sweat and tears are dripping into an ocean that is demonstrably not in need of more liquid. So I'm not trying to sell you on my music because I'm some abnormally talented person making superior quality songs. I'm just an average guy working an average day job where I use my days off to record music that I love.

I suspect that many of you are here because you know me to some extent outside of music, and I hope that I've been a caring friend or a positive influence or an encouraging acquaintance, whatever the context may be. And the fact that you're here now is precisely the fruit I'm hoping to see through my striving toward local art and communal enjoyment of each other's creations. Sure, it's always cool when my streaming numbers are blowing up thanks to a song placement on a trendy playlist, but those fleeting statistics can't compare with the pride and joy I experience when I see that a familiar name has just downloaded one of my albums.

I also feel incredibly humbled and blessed whenever anyone chooses to defy the free download option and provide a payment for my music. I want to be clear here that I am very lucky to have a full-time job that allows me to make music, and I should be able to continue making music for the foreseeable future without needing any of my albums turn a profit. So while I heartily accept gifts from those who have the desire and the fiscal flexibility to do so, I also want everyone who's downloading this album for free that you genuinely have my support and blessing in doing so.

As I said before, this album is a gift to you, and the time that you are spending reading my words and hearing my songs is a gift in itself, for which I am incredibly grateful. Thank you.

(If you are here as someone I've never met before in person or online, I hope that won't stay the case forever If you'd like to reach out, I'm always available via music@chasetremaine.com, and if you have art that you would like to share with me, I would be honored to experience what you've crafted. Whenever fitting, I will share your art with my followers, newsletter readers, and so on. Even if you have no desire to reach out or have no art to share, I'm so happy that you're here. Thank you for reading, and enjoy the album!)

credits

released March 3, 2023

Production, engineering, and mixing by Brendan St. Gelais (www.brendanstgelais.com)
Mastering by Sean Power (www.thehilsonstudio.com)

Released independently in partnership with Post Emo Records (www.postemorecords.com)

Lyrics written by Chase Tremaine
Music written by Chase Tremaine except:
- "One Day," written with Taylor Tremaine
- "Tired Side of Content," written with David Bartek
Music performed by Chase Tremaine except:
- "Gloriously Mundane": piano and background vocals by Nick Schrader
- "Settled in the Unsettled": piano and background vocals by Theo MacMillan
- "New Creation Gray": trumpets by Brendan Dorman
- All songs: additional keys, synths, programming, percussion, auxiliary instrumentation, and/or background vocals by Brendan St. Gelais

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Chase Tremaine Nashville, Tennessee

One-man-band emo rocker with a post-hardcore sense of instrumentation and an old-fashioned pop sense for melody and harmony. Originally from Dallas, based in Nashville.

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